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The bad moment of Monica Bellucci in Venice

Her film, "Un été brûlant", was booed at the famous festival in that Italian city,


The French film "Un été brûlant" was the first film to be booed at the Venice Film Festival. The film, directed by Philippe Garrel and starring Monica Bellucci, competes in the official section.

The film, a French-style love story, was only liked by fans of the poetic cinema of the author of "Les amants réguliers" or "La frontière de l'aube".

The bad moment of Monica Bellucci in Venice

"My film is born out of nonconformity, which is my way of approaching the cinema," said the director today at a press conference, who has had the participation of several members of his family for the making of this film: his father wrote the dialogues and it comes out on the screen; his wife helped him with the script and his son Louis is the lead.

Garrel made a whole defense of art and auteur cinema, not always well understood, helped by his son Louis, who stressed that his father's films have caused division of opinions since the first one he made, when he was just 18 years old. A defense that Bellucci joined.

"It has been a very beautiful job, something that rarely happens. Because Philippe takes the time to be with people and to rehearse, so that everything is much simpler when he arrives at the shoot," explained the Italian, in trousers and a jacket. black and white t-shirt.

An experience that he described as "unique" because it has allowed him to work with a director whose work he admires and because he has been able to witness "the love between a father and a son."

A response as diplomatic as the one he had previously given to the reason for her appearance in the film, an image that has been the most commented on of the film after its screening in Venice.

"I think that the moment you agree to work with a director you are faithful (....) Garrel is a director that I respect a lot and that has a universe that can be radical, that can be loved or not, but that is unique in its genre."

And his n*de, made just two and a half months after giving birth to his second daughter, the result of his marriage to the French actor Vincent Cassel, is a "form of abandonment and generosity towards a film and the manager of it."

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