King Charles seen dead-heading roses and pruning shrubs at Highgrove
In the serene Gloucestershire countryside, just 11 miles west of London, lies Highgrove House—a royal retreat that has blossomed into a vibrant tapestry of gardens reflecting the passions and philosophies of King Charles.
Purchased in 1980, when he was still the Prince of Wales, the estate has transformed from a blank canvas into a sprawling garden sanctuary over the past five decades.
Located near the village of Tetbury, Highgrove House is not just a haven of calm and color; it stands as a testament to King Charles’ vision and tastes.
The estate now serves as a hub for education and heritage preservation. The King’s Foundation has partnered with the couture house Chanel to offer a unique embroidery qualification through the Metier d’Arts Fellowship, emphasizing the importance of preserving traditional skills. Additionally, it hosts a furniture school named after Charles' nephew, Lord Snowdon, where students recently graduated after a 24-week course in intricate craftsmanship.
A recent summer stroll through Highgrove’s 15 acres reveals how the meticulously designed gardens inspire creativity and craftsmanship. These lush spaces mirror King Charles’ dedication to beauty and tradition, offering a rich source of ideas for students and artisans.
As summer fades, the vibrant wild meadow at Highgrove House begins to wane, its once-flourishing flowers giving way to the cooler season. Just weeks ago, the meadow was alive with color and teeming with pollen-heavy plants, nurturing a nearby beehive nestled beside one of the estate’s hedges.
Among Highgrove’s many features is a charming treehouse, adorned with climbing vines, built for young Prince William and Prince Harry when they were just 6 and 4 years old. This nostalgic nod to their childhood adds a personal touch to the gardens.
King Charles himself is often seen tending to the gardens, dead-heading roses and pruning shrubs, demonstrating his hands-on approach to maintaining this deeply private oasis.
